Official Unofficial Music Video Release! “What You Didn’t Say” by Erinn Alissa

 Watch Erinn Alissa’s “official unofficial” Music Video for “What You Didn’t Say” 

Erinn says, “I'm calling it ‘official unofficial’ because I didn't have a crew or a director, or hardly any help at all. I filmed it myself, along with shots from my talented friend, Gabi Miranda, who took all of the pictures I've been using for my singles covers. Like many independent artists, we do it all!!
   
Music reviews site, The Real Gone Singles Bar praises Erinn and the song as having, “an absolutely captivating vocal presence – someone who would have been an absolute shoo-in for the Lilith Fair festival back in the day. The way Erinn shifts the tone of this track to strong and questioning on the verse to presenting an absolute outpouring of emotion at the climax creates a great listen throughout.”  

“What You Didn’t Say” is finding airplay throughout the world, from the UK to L.A., the Southeast USA through Canada, and more. With just word of mouth outreach on digital streaming media, the song is coming up on 30,000 streams on Spotify on dozens of playlists. Follow Erinn Alissa at https://open.spotify.com/artist/5ku7735Hs8kKhwcPIKHu0i

“What You Didn’t Say” is based on a true story of being ghosted, something most of us have experienced  Erinn’s friendship was with someone that helped her come out of a rough time, “this person was AMAZING to me and instrumental (pun intended) in being there for me and getting me through the initial wave of it all.”  But then he pulled back and didn’t say anything. Without finding resolution, she put the feeling of absence into a song that so many of us relate to.

She says, “It's a song for the ones who never got a goodbye, driven by the gut-punch realization that nothing can say everything.”

Born in Albany, NY, and now based in sunny Santa Monica, CA, Erinn Alissa is a folk pop singer-songwriter inspired by the sun-drenched golden era of the '60s and '70s West Coast music scene. A natural-born performer, Erinn Alissa began writing songs from a young age and has made a name for herself performing covers and originals through residencies at some of Los Angeles's iconic venues, including The Hotel Cafe, Molly Malone's, and The Viper Room. Having previously opened for Katey Sagal, Erinn Alissa consistently performs over 200 shows a year. Influenced by the likes of Joan Baez, Joni Mitchell, and Sheryl Crow, her music channels the traditional lyricism of the '60s and '70s through honest, deeply emotional lyrics with a modern twist.

 Visit linktr.ee/erinnalissamusic

 To stay updated on Erinn Alissa's newest releases and upcoming shows, follow @ErinnAlissaMusic on Instagram and check out her website ErinnAlissa.com.

Song credits:
Song: “What You Didn’t Say

Artist: Erinn Alissa
Written by: Erinn Alissa Selkis
Produced by: Erinn Alissa Selkis and Janet Robin
Recording Engineering: Erinn Alissa Selkis and Janet Robin
Vocal Engineering: Erinn Alissa Selkis

Instruments:
Acoustic and electric guitars: Janet Robin
Bass: Jennifer Oberle
Drums: Denny Fongheiser
Additional Instruments: Janet Robin
Mixed by: Erinn Alissa Selkis and Matt Hyde
Mastering: Matt Hyde

 

“What You Didn’t Say” lyrics by Erinn Alissa

You were soft when I was breaking
Like you knew just what to do
Built a fire, stayed up with me
'Til I trusted you
Then the wind changed, or maybe you did
You pulled your warmth away
Left me standing in the doorway
You had nothing to say

I don't know what I did
And I don't know what you felt
But silence hits harder
Than anything you could’ve yelled
You don’t owe me closure

But you held me when I cried
And it’s what you didn’t say
That sounds like goodbye
That sounds like goodbye

I tell myself you’re busy
That you shut down when it’s real
But it doesn’t stop the bleeding
Or change the way it feels
I reach out but it’s empty
Like I’m talking to the dark
And the words you never sent me
Keep breaking my heart 

I don't know what I did
And I don't know what you felt
But silence hits harder
Than anything you could’ve yelled
You don’t owe me closure

But you held me when I cried
And it’s what you didn’t say
That sounds like
That sounds like goodbye
That sounds like goodbye
That sounds like goodbye

 Whoa

You said nothing
What you didn’t say
What you didn’t say
What you didn’t say
What you didn't say
You said nothing

But it said everything

C 2026 Erinn Alissa/ASCAP “Selkisongs

Brian Tarquin & Heavy Friends “Tyranny of Tone”

 

featuring Joe Satriani, Steve Hackett, Bruce Kulick, Gus G,           Ron “Bumblefoot” Thal, Doug Rappoport, Gary Hoey, Carl Verheyen,    Hal Lindes, Stu Hamm, Joe Deninzon & Karen Briggs

“Tyranny of Tone” is the 2026 powerhouse release from Brian Tarquin & Heavy Friends, a guitar-driven instrumental album that unites Tarquin’s analog craftsmanship with an extraordinary roster of world-class players. Recorded at Tarquin’s Jungle Room Studios and mastered by David Glasser at Airshow Mastering, the album blends fusion, rock, cinematic textures, and deep musical camaraderie all in service of a cause that matters—California Fire Foundation—helping families of fallen firefighters
and communities recovering from catastrophic fires. Tarquin’s Heavy Friends projects have long centered on giving back, and “Tyranny of Tone” continues that legacy.

The album hits all streaming media on September 18. Fans can buy the album at guitartrax.bandcamp.com.

Tarquin’s compositions that are finding radio airplay include the explosive “Tyranny of Tone” with Joe Satriani, his sonic swagger “IG Nite” featuring Steve Hackett, the celestial funky “Intergalactic Burn” with guitar from Bruce Kulick, and the jazzy and soulful “Visions of the Eternal Flame” featuring Peter Gabriel’s violinist Karen Briggs.

In the album’s liner notes Larry Crane of Tape Op praises Tarquin as “a damn good musician, writer, producer, and engineer” calling “Tyranny of Tone” a warm, analog-rich record that feels like the classic
albums of the ’70s and ’80s. Tarquin records to 2-inch tape, mixes through a Trident console, and masters directly from tape — giving the album its focused tones, musical warmth, and timeless feel. Every note
on “Tyranny of Tone” reflects Tarquin’s commitment to tone, authenticity, and service. The album’s analog workflow gives it the warmth and musicality of classic rock and fusion records, while the collaborative
spirit honors the friendships and artistic bonds Tarquin has built over decades.

Brian Tarquin is a multi-Emmy Award–winning composer, guitarist, producer, and engineer whose career spans decades with Top 10 radio hits across several formats. His 2024 release “Beyond the Warrior’s Eyes” was the #1 fusion album in 2024 on Roots Music Reports.

Tarquin has also been heard by tens of millions on such popular television scores as CSI, Ellen, Extra, TMZ, 60 Minutes, Sex and the City to name few.
He has more than 50 million streams. Tarquin’s Jungle Room Studios have become a creative hub where he composes, tracks, and mixes his Heavy Friends projects — albums built around generosity, mentorship, and the joy of bringing elite musicians together.

1.    1,Tyranny of Tone — feat. Joe Satriani
Brian Tarquin rhythm guitar, bass, lead melodies and 1st & end solo
Joe Satriani intro & 2nd solo
Reggie Pryor Drums
2. IG NITE — feat. Steve Hackett
Brian Tarquin rhythm guitar, keyboards, guitar melody & 2nd solo
Steve Hackett 1st solo
Brandon Miller bass
Rion Smith drums
3. Out of the Ashes — feat. Gary Hoey, Joe Deninzon & Hal Lindes
Brian Tarquin rhythm Guitar, Bass, guitar melodies & 1st & 3rd solo
Gary Hoey 2nd solo
Joe Deninzon violin solo & Hal Lindes intro & outro solos
Tony Morra Drums
4. Dead Reckoning — feat. Gus G
Brian Tarquin Rhythm, Bass, guitar melodies, intro solo, 3rd solo, & end solo,
Gus G 2nd guitar solo
Tony Morra drums
5. Atom Smasher — feat. Bumblefoot & Stu Hamm
Brian Tarquin rhythm guitars, melodies & 2nd solo
Stu Hamm bass & bass solos, Ron “Bumblefoot” Thal intro solo and end solo
Reggie Pryor Drums
6. Intergalactic Burn — feat. Bruce Kulick
Brian Tarquin Rhodes, clave, guitar melodies, talk box, 1st & 3rd solos
Bruce Kulick intro guitar & 2nd solo
Brandon Miller bass
Reggie Pryor Drums
7. Übermensch — feat. Doug Rappoport
Brian Tarquin rhythm guitars, guitar melodies, 1st & 2nd solos
Doug Rappoport middle solo
Brandon Miller bass
Reggie Pryor Drums
8. Visions of the Eternal Flame — feat. Karen Briggs
Brian Tarquin Rhodes, clave, guitar melodies & solo
Karen Briggs violin, melodies & solo
Brandon Miller bass
Reggie Pryor Drums
9. Phoenix Rising — feat. Carl Verheyen
Brian Tarquin piano, organ, slide guitar, guitar melodies & 2nd solo
Carl Verheyen middle solo
Brandon Miller bass
Reggie Pryor Drums

Produced, Recorded & Mixed by Brian Tarquin at Jungle Room Studios Mastered by David Glasser at Airshow Mastering All songs composed by Liam Tarquin (SESAC) Liam Tarquin Music Publishing (SESAC) BHP Music–Guitar Trax Records ©2026

"ANTARCTICA" New Album by Tom Ciurczak

 

Southern California singer/songwriter Tom Ciurczak (Sir-Zak) returns with his sixth album, “ANTARCTICA,” a collection that continues his signature blend of heartland rock, melodic songwriting, and vividly drawn characters. Influenced by artists like Bruce Springsteen, Warren Zevon, Steve Earle, The Who, and The Eagles, Ciurczak’s music balances driving rhythms with cinematic, story-driven lyrics.

His path began in New York’s Hudson Valley, inspired by The Beatles’ first appearance on The Ed Sullivan Show. With a father who was a professional musician at the U.S. Military Academy at West Point, Ciurczak was immersed early in music’s structure, rhythm, and storytelling power.

After graduating from SUNY Oswego, he moved to Southern California, building a career in the specialty lighting industry while continuing to write songs. A turning point came in 2014 at Steve Earle’s Camp Copperhead. “It put me on the road to finish my songwriting ideas and create new ones—I knew I’d found my tribe.”

Ciurczak assembled a top-tier recording team—producer/drummer Stephen Haaker, engineer Brett Grossman, and a group of seasoned studio musicians—to record his debut album, “Call Me Ishmael.” Subsequent releases include the singles “Christmas Time in Hollywood,” the albums “I Ain’t Ever Growing Up: – “Volume I and Volume II” and the critically praised “YORICK” (2025). He is also a member of the Copperhead Six Project, a collaboration of Camp Copperhead songwriters whose album “Muscle Shoals Record Shop” was recorded at the legendary Cypress Moon Studios in Muscle Shoals.

“ANTARCTICA” builds on that momentum, centering on Ciurczak’s ability to craft songs that feel like self-contained three-act stories. The title track draws from the real history of Deception Island, where early 20th-century whaling operations left behind a haunting legacy—reimagined here as a ghost story echoing with the voices of the past.

The album spans a wide emotional and musical range: from the driving opener Invisible Man, about those left unseen in society, to the progressive-leaning We Were Immortal, originally conceived for a rock opera. Tracks like Going Down in Flames and Looking for a Place deliver straight-ahead rock energy, while Losing You offers a more intimate piano-driven reflection on life on the road. Elsewhere, Ciurczak explores noir storytelling (Black Out Jack), dark romance (Haunted House), and surreal narrative twists (Atom Glow, Creature from the Blues Saloon).that feel like self-contained three-act plays.

Americana Highways called Tom’s previous album “YORICK” “a celebration of the artform of storytelling,” while The Alternate Root described his songs as “audio dramas.”

 Ciurczak performs regularly with his band throughout Southern California, appearing at venues including The Whisky a Go Go, The Mint, The Viper Room, and The Coach House. His work reflects a lifelong commitment to songwriting—proof that once the spark is lit, it doesn’t fade.

TomCiurczak.com

John Palumbo on the Anne Leighton Inclusion Interview Show

 

I enjoyed this interview with Crack the Sky's John Palumbo. I've been a longtime fan of both his and the band's music and am thrilled they're playing ProgStock this October. Visit progstock.com for more information. https://youtu.be/ZiBx-phEQCw?si=BfkpnueCIQKHFFtw

Holiday Music in July

  Alone at Xmas – Heartracer

Slow‑tempo but rhythmically busy synth‑pop with tenor vocals. A bittersweet holiday track blending loneliness, longing, and magical electro‑pop shimmer. Themes of a naïve boy, a poor person, and mutual need (“You need me but I need you more”) 

 C’mon C’mon Rudolf – Tom Ciurczak

Rock‑driven Christmas track with male vocals. A humorous intervention with Rudolf, who’s been spending too much time at the watering hole. Encouraging him to step aside for a younger buck — then a shift toward empowerment (“Rudolf dig down deep inside… turn on that red light”).

Reiner the Rhinestone Reindeer -- Phoebe Legere

bling bling bling, Reiner was bullied. He loved to dress up. And one year Santa had him and his bling lead the reindeer! EDM. Female vocal.

 My Mother’s Menorah – Judy Kaye

Theatrical piano and soprano vocal in a minor key. A deeply emotional piece about lighting the menorah with her children and retelling the story of her mother bringing her menorah to the new world at age 12 — the only thing she carried with her. Strong generational resonance, emotional Hanukkah storytelling, mother‑child moments. 

 Season of Light – John Roy Zat

Country‑folk with guitar picking. A joyful reflection on the year, celebrating togetherness, giving, remembering those in need, and holiday traditions (candy, presents, gatherings, tree decoration). Warm Americana holiday energy. 

 Today and All the New Year – Dan Berggren

Today and All the New Year | Dan Berggren

Acoustic folk with tambourine, inspired by “Greensleeves.” Updated lyrics for the New Year focusing on harmony, diversity, and good deeds. A tenor vocal with supporting harmonies. hopeful, reflective, traditional, warm.

One more from Dan. "Never Take Love for Granted" is about realizing the real meaning of Christmas despite all the commercialism that makes a bigger splash. 

Ave Maria — Aeone / Stephen Melillo  (We have this available, also, as an instrumental)

A timeless sacred piece — depending on the version you’re including, it typically carries classical vocals, orchestral or piano accompaniment, and deep emotional resonance. Ideal for solemn, spiritual, or transcendent holiday scenes. 

A soft, ethereal alto vocal reminiscent of Clannad or Eva Cassidy, supported by classical orchestra. New‑age serenity meets sacred tradition. 

  

 

"Banned in Sparta" meets "The Odyssey"

#ForFansOf The Odyssey

Christopher Nolan and Matt Damon’s epic triumph The Odyssey resurrects the ancient world that turbocharged Western civilization — democracy, theater, philosophy, architecture, art.

If that era had a soundtrack, it would sound uncannily like Robin Batteau’s magical, mystical Banned in Sparta: eleven songs mosaic‑ed from the shards of pottery and scraps of parchment left behind by Greece’s great lyric poets. These were the original singer‑songwriters — Archilochus, Sappho, Alcaeus — performing with lyres the way Dylan or Taylor Swift perform with guitars today.

Bat­teau built these songs like a paleontologist assembling a T. Rex, filling gaps in the ancient fragments with “musical bones” of his own devising. And to bring them fully to life, he chose voices from our own Golden Age of singer‑songwriting: Eric Andersen, Carolyn Hester (who hosted Dylan’s first recorded appearance), Livingston Taylor, Kate Taylor, Tom Paxton, rocker Robin Lane, plus Tony‑winning actor James Naughton and his children Greg and Keira, Batteau himself, and newcomer Matt Nakoa. 

• Bonnie Raitt: dubbed him “The Love God”

Press Highlights on "Banned in Sparta"

• Goldmine: “Contemporary sounding… readily accessible, any scholarly insinuation aside.”
• House of Prog: “So enjoyable and a whole load of fun… well worth investigating.”
• Classic Rock History: “A lifetime of weaving together tradition and invention.”
• Let It Rock: “Robin’s comeback… was totally worth it.”

  

 Cross (of Gold)  Eric Andersen Breathy, resonant male vocal with bright guitar. A deep, introspective piece in which he asks himself,  "I still adore her? Is love like this a torture. Why is this crucifixion on a cross of gold?" “I love you / hate you / love you.”

Archilochus Re‑Deemed James Naughton  Bold male vocals over soft‑rock instrumentation. A soldier’s declaration of loyalty to the god of war — poetic, grounded, and free of self‑pity. The song states they want caring people in the trenches with them, not belligerent warm mongers, making it ideal for scenes about courage, grit, or moral conflict.  “I am a servant of the Lord God of War.”

In Her Loving Arms Carolyn Hester  Mid‑tempo contemporary folk with Carolyn Hester’s iconic, airy vocal dancing around Batteau’s strings. A portrait of a dangerous, irresistible woman — the kind men return to again and again. The song’s intimate feeling makes it perfect for scenes balancing warmth with risk.“In her loving arms, love the thunder and danger.”

Thracian Filly Tom Paxton Uptempo, Appalachian‑tinctured folk with Tom Paxton’s unmistakable voice. A playful comparison between a woman and a spirited horse, full of movement and charm. Fun and timeless appeal. A lively, percussive refrain celebrating her dance. Namedropping Olympus, Dionysus, and Dorian. His imagination on what he’d love to experience with the “Thracian Filly.”  Shake your hair, shake your hair, shake your hair, you Thracian Filly

 The Most Beautiful Thing in the World  Keira Naughton Soft female vocal with acoustic guitar. A meditation on beauty and what we leave behind. “Is the most beautiful thing in the world only the thing you leave behind?”

 

Poet Tom Cintula on the Anne Leighton Inclusion Interview Show

 Poet and New Friend Tom Cintula on the Anne Leighton Inclusion Interview Show. We're both reading with Noel A. Figueroa's Poets With Purpose this Saturday for the NYC Poetry Society on the Blackbird stage at noon at Governors Island!

https://youtu.be/Iq-ig-_RX8U?si=um968jcPWwNsADfg via @YouTube

Songs by Rachael Sage

 I had the pleasure of interviewing Rachael Sage for my Inclusion Interview Show. We cover her creativity and being cancer thrivers (we both had Endometrial Cancer). Rachael is celebrating her label, MPress's 30th Anniversary, and keeps making music, touring, finding syncs including on Netflix and in Dance Moms. She's worked with Judy Collins, Lulu, Ani DiFranco, and Howard Jones with whom she's collaborated on the song "I Made a Case." 

Rachael and Cassandra Kubinski are playing DROM, NYC this Saturday Night.

Visit RachaelSage.com for more shows and music!

Here's the interview, and some of my favorite Rachael songs, including a few for the December holidays! 

Canopy  Acoustic, twangy, slow‑tempo folk with a gentle female vocal. Themes of connection, emotional refuge, and women leading with compassion. Key lines include: “If the world were run by women…” and “you just have to want to heal insanity.” A song about peace‑making and emotional sanctuary. 

Tchatchkes & Latkes  A festive Gypsy Oom‑Pah‑Pah waltz. Rachael sings the ingredients of a late‑night Hanukkah dish — playful, rhythmic, and full of personality. “Onions, peppers, oy gevalt!”

Hanukkah in the Village  Mellow piano, singer‑songwriter style. Rachael’s warm, observational storytelling about Hanukkah in New York City — cozy, urban, reflective.  cultural storytelling.

Joy to the World  Gentle soprano reminiscent of Olivia Newton‑John; chamber‑pop textures like Regina Spektor. Cello drives the rhythm; guitar and light accordion add warmth. A joyful, pulsing holiday track with the refrain “Joy! Joy!”  uplifting holiday scenes, family moments, community celebrations, feel‑good ads. 

I Made a Case  Waltz‑tempo ballad with lush instrumentation and horn. A gentle, vulnerable vocal delivering the refrain: “I made a case for you to love me, but you disagreed.”  male/female vocal interplay — adds emotional depth and dual perspective.

SisterSong A song of support, companionship, and kindness — a musical embrace. Themes include: keeping someone company, “standards of goodness,” corsets (metaphorically), and the “year of the woman / year of the human.” A deeply compassionate piece about staying with someone through their hardest moments. 

Congressional Candidate & Edgar Poe Reader on the Anne Leighton Inclusion Interview Show

 I enjoyed this new interview with Congressional Candidate Jose Vega, who is running for the 15th District here in the Bronx in both the Independent and Democratic primary races. We talk about peace, deportation, music, and Edgar Poe, and his Intervention advice with party leaders that don't pay attention to their constituents. #Civics https://youtu.be/WCSLxFzjmGc?si=4wF1kRJ9zGz3WMuK If you have any concerns about comments made in our interview, please express them in the comments under the video, and cite sources. Thanks.

Bob Halligan, Jr. Songs

 

“Thanks” is a gorgeous, uplifting song about gratitude — the kind that comes from being lifted up by someone who sees the best in you. It’s tender, universal, and sync‑friendly, with a sweet, slightly shady electric‑guitar solo that gives it emotional lift.

A key line: “Can’t thank you enough, I’m high from you lifting me up.”

It’s a natural fit for scenes of reconciliation, reflection, family moments, personal triumph, or any storyline where gratitude is the emotional payoff.

About Bob Halligan Jr.

Bob is one of those rare songwriters whose work spans folk, Christian, pop, Celtic‑rock, and hard rock — and somehow he’s equally authentic in all of them. His kindness‑centered writing shows up in his solo work and in his long‑running Irish‑pop‑folk band Ceili Rain, but his catalog also includes cuts by some of the biggest names in rock and pop.

A few highlights:

• Judas Priest — “Some Heads Are Gonna Roll”
• KIX — “Don’t Close Your Eyes”

Plus songs covered by Cher, Jennifer Rush, KISS, Michael Bolton, Joan Jett, Rik Emmett (Triumph), Bob Carlisle….. has had over 140 songs recorded, published over 975 songs, and his catalog has sold more than 30 million units.

I learned recently that May Pang was his song plugger during the era when Priest, KIX, Cher, and KISS were cutting his material — a fun surprise, since May and I bonded at The Cutting Room over our shared love of discovering new artists.

Bob also taught songwriting as an adjunct professor at Syracuse University from 2003–2019, and Kathy Mattea recently posted a photo with him after a show in Homer, NY — she’s covered several of his songs, including “Love Travels,” “Give It Away,” and “Junkyard.”

It was a joy working with Bob since 2023 in support Ceili Rain’s album Crash This Gate.

“It’s You I Love About It” — Ceili Rain Mid‑to‑uptempo, Irish instrumentation blended with commercial rock. Male vocals. Think The Strawbs meets The Proclaimers. A nostalgic look at movie memories — but the real hook is that you made the memories meaningful.   

 

 

“Love Corporation” — Ceili Rain A kindness‑forward anthem about starting with your own heart and paying it forward — perfect for scenes about community, generosity, or personal growth.

 

Recognizable Covers   

 Kathy Mattea — “Love Travels.”  Kathy also covered: “Give It Away,” “Junkyard” 

 

 "Some Heads Are Gonna Roll"  by Judas Priest 

"Peace Has Broken Out" by Moya Brennan 

 "Don’t Close Your Eyes" co=written with Crack the Sky's John Palumbo, and recorded by KIX

"Love Corporation" by Ceili Rain

 One of the songs I'm plugging this week: the soulful "Love Corporation" about paying it forward and backward.

"Gonna start with my own heart

And pray for dividends"

Bob Halligan Jr. is the band's frontman and main songwriter.

Michael Veitch Songs

Drive Beach Boys harmonies with jazz chords, tenor vocals, summertime pop, guitar, harmonies. the hook is "Drive my baby driving." It's about togetherness and summer nights. Towards the end of the song it lifts the tempo of "California Girls."  

Michael's Walk Away Renee cover is an acoustic cover of the Left Banke hit. His thoughtful interpretation is dedicated to Renee Good. The lyrics fit the pain of what we've been going through with ICE's attacks on both immigrants and those born in this country.  

April Fools isan upbeat folk-rocker with electric guitar about being fooled by leadership. This song deals with delusional thinking. The song can be applied to any topic, from romance, personal dilemmas and battles, and world situations—anything that can be prevented.

Close to the Flame slow-mid tempo, harmonies, flying too close to the flames "I have to confess, we all tried our best"  

One Wish is a male & female duet and wishes peace for Christmas.

Above The Rain is a live performance from the PBS documentary, “We Remember: Songs of Survivors,” which showed Woodstock area songwriters collaborating with Holocaust Survivors.  "Above The Rain," which is available for covers and airplay was co-written by Michael and survivor Rita Schwartz. Live performance. Acoustic guitar, accordion, cello, gentle male vocals,  Remembering what life was like before how they were “changed forever.” They’re praying and waiting for the rain to end.  Has an optimistic tilt as “the sun still shines above the rain.”

Poet Cornelius Eady on The Anne Leighton Inclusion Interview Show

 https://youtu.be/X0nbGhjeGrU?si=tKyrXswM4vyI6ygi  It was a pleasure interviewing my friend and fellow poet/songwriter Cornelius Eady. He wrote and read "Proof" for the Inauguration of New York City Mayor Zohran Mamdani.  "Proof" is his upcoming chapbook, which will be out this September on Tupelo Press.

Author, Poet, Businessman Bill Pezzimenti on The Anne Leighton Inclusion Interview Show

 It's a pleasure to interview my longtime friend Bill Pezzimenti, who wrote the book "Facing the Monkey's Grin," a delightful and easy read about crazymakers in the work world. Bill's also a working poet and talented salesperson. https://youtu.be/abAWDZ1KBtc?si=qtif8T6ETkJX2IBm via @YouTube

Refestramus - Live at HRH Prog 15

Hot on the heels of Refestramus' "Morri's Rock Boutique" the band has more for you. The official pro-shot, 4K video of their full 30-minute live set from the HRH Prog 15 festival last November.

The band was honored to share the stage with some absolute legends for this special performance:

* David Jackson (the legendary Van der Graaf Generator saxophonist)
* Alex Hutchings (guitar virtuoso known for his work with Steven Wilson)
* Gareth Cole (Tiger Moth Tales) on guitar

If you couldn't make it to the festival, this is the next best thing. Mixed directly from the soundboard, this isn't just live footage—it is a real concert film of Refestramus' signature progressive rock intensity and cinematic songwriting on one of the biggest prog stages, featuring songs from "Morri's Rock Boutique" and "Intouríst."