Showing posts with label Keira Naughton. Show all posts
Showing posts with label Keira Naughton. Show all posts

7/9/25

Robin Batteau's “Banned In Sparta”

Collaborative Album with Classical Greek Poets and Modern Folk Singers

On July 11, Robin Batteau is releasing “Banned in Sparta,” a new collaborative album of songs based on poems by Classical Greek poets, and recorded by friends Tom Paxton, Eric Andersen, Carolyn Hester, Livingston and Kate Taylor, Matt Nakoa, Robin Lane, 2-time Tony winning actor James Naughton and his gifted children Keira and Greg. Robin was inspired by an Ancient Greek History class he took when he returned to Harvard during the Pandemic to finish a degree he started in the 1960s. Robin earned the World Record of taking a 50-year break (between 1970 to 2021) to return to Harvard and finish his degree in 2022.   

Banned In Sparta” focuses almost entirely on poets from Ancient Greece between 700 and 400 BC.  One poet, Gaius Valerius Catullus (84 – 54 BC), as smitten with the ghost of Sappho as Robin or Alcaeus, is from Rome during Julius Caesar’s reign, for whom Eric Andersen performs “Cross (of Gold),” an ode to interlaced and conflicted feelings, “Odi et Amo"— I hate and I love.

The title “Banned in Sparta” finds its name from Archilochus, the Bob Dylan of the 7th century B.C., a warrior-poet so irreverent he was “Banned in Sparta.”  James Naughton sings the song “Archilochus Re-Deemed (I Am a Servant of the Lord God of War).” Kate Taylor performs “Telesilla’s On the Wall,” from the female poet Telesilla, who led her fellow women warriors to victory against those same renowned Spartans. 

“The Greek Lyric poets performed live, and were the stars of their day,” says Robin. “They were singer/songwriters, they played the lyre (hence "Lyric") and danced around the stage like Tom Paxton and Taylor Swift.”

Robin, who studied Ancient Greece and Integrative Biology at Harvard, found that most of what was left of the poems were fragments and myth, “So I mosaic-ed songs to reflect their expressions and intentions— who they were, and are to me.”         

A range of female poets contributed to the lyrical history of Greece including Corrina, whose “In Her Loving Arms” is sung by Carolyn Hester, and Praxilla’s “The Most Beautiful Thing in the World,” a hymn to Adonis, sung by Keira Naughton.  Sappho’s writing inspires “Terra Cotta Heart,” sung by Robin Lane.  Livingston Taylor sings “My Sappho, Sweetly Smiling” from the smitten neighbor and rival Alcaeus. 

The fun and frolicking “Shake your Hair (You Thracian Filly),” sung by Tom Paxton. Pianist and folk singer Matt Nakoa offers a Bruce Hornsby-like treatment for Simonides of Ceos’s “Theatre of Memory (Man of Gold).”    

Sharing Grammy, Emmy, Clio, and Gold Record Awards and an Oscar nomination, Robin’s recorded over a dozen albums with Pierce Arrow, David Buskin (Buskin & Batteau), and many others.  His jingles feature in long-running, award-sweeping advertising campaigns from "I'm Lovin' It" for McDonalds to “Can’t Beat It” for Coca-Cola to "The Heartbeat of America" for Chevrolet. He’s played his 1898 Scarampella violin with everyone from Yo-Yo Ma to Benny Goodman to Bruce Springsteen and has had his melodies sung by Whitney Houston, Aretha Franklin, Judy Collins, Paul Newman, and more. His songs have supported charities and causes, including World Hunger Year, Ocean Alliance, Bill Clinton's 1992 presidential campaign, and Paul Newman's Hole in the Wall Gang Camp for kids. The Boston Globe defines his music with David Buskin as "Acoustic Heaven."


Banned In Sparta” songs

“Stolen in Love”  (Gorgias)  Greg Naughton (vocals: lead, harmony, background, descants),  Mark Dann (bass, synths), Robin Batteau— (acoustic guitar (custom 7-string Sigma), Greek Chorus oohs and aahs, fingerpop and heartbeat percussion). 

“In Her Loving Arms” (Corinna)   Carolyn Hester  (lead vocals), Jennifer “Genevieve” Vitanzo (harmony vocals), Jerry Marotta (drums), Mark Dann (bass, electric 12-string guitar, synths) Robin Batteau (violin (1898 Scarampella, muted), Sigma guitar).     

“Archilochus Re-Deemed (I Am a Servant of the Lord God of War)”  (Archilochus) James Naughton (lead vocal), Jerry (drums), Neale Eckstein (acoustic guitar), Robin (harmony vocals, handclaps, drums, Sigma guitar, violins).

“Telesilla’s on the Wall”  (Telesilla) Kate Taylor (lead vocal),  Mark Dann (bass, synths),  Jerry Marrotta (drums), Robin Batteau (violin, acoustic guitar (1948 Martin 0-17, nylon-strung), background vocals, descant).

“My Sappho, Sweetly Smiling”  (Alcaeus)  Livingston Taylor (lead vocal, acoustic guitar), Mark Dann (bass, synths), Jerry Marrotta (drums), Robin Batteau (violin, Martin guitar, synths, background vocals, descant).

“Terra Cotta Heart” (Sappho)   Robin Lane (lead vocal), Mark Dann (bass, electric 12, synths), Jerry Marrotta (drums), Robin Batteau (Martin guitar, drums, percussion).

“Shake Your Hair (You Thracian Filly)” (Anacreon)   Tom Paxton (lead vocal), Eric Schwartz (piano, organ), Mark Dann (bass, synths), Neale Eckstein (acoustic guitar, drums),Robin Batteau (Sigma, drums).

“Man of Gold (Theater of Memory)” (Simonides) Matt Nakoa (lead vocal, piano, synths, bass, drums, electric guitar).

“How Can You Love Me”  (Stesichorus)   Robin Batteau (lead vocal, harmony vocals, Martin, violins, synths, drums, percussion), Yani Batteau (harmony vocal, banjo), Neale Eckstein (drums, percussion).

“The Most Beautiful Thing in the World” (Praxilla)  Keira Naughton (lead vocal), Robin Batteau (Martin Guitar).

“Cross” (Catullus)   Eric Andersen  (lead vocal),  Abby Newton (cello-1897 Scarampella), Mark Dann (bass, synths), Robin Batteau (Martin guitar), violin, percussion (inspired by Marshal Rosenberg)

6/26/25

2025 Summer Missive of New Music from Anne Leighton's Superhero Songwriters

The Most Beautiful Thing in the World (Praxilla) Keira Naughton (on Robin Batteau's "Banned In Sparta," a collaborative album with classic Greek poets, one Roman one, and contemporary Folk Singer-songwriters)  acoustic guitar, gentle female vocals, nature and eloquent lyrics, remembrance of "the most beautiful thing in the world.    Only the thing you leave behind"  "I was your harvest, you were mine." "You were my adonis-you astonish-- me."  Note: This tracks will be embedded mid July after this album's release.

Sleep Alone  Izzy Meth  I believe this could be a great "Song of the Winter." Acoustic, light instruments, gentle tenor with reverb, descriptive lyrical setting in winter and contrast one how he's a young man in love with trouble sleeping 'cause his yearning and morning are still here. "I don't want to sleep alone anymore." 


Top of the Rainbow Tom Ciurczak  horns, vocal, tenor-clear distinctive male vocals, like "Toby Beau," a break up song, "I was on top of the rainbow with you, I don't understand when you said you were leaving," self doubt  yacht rock/nu-coast.  


2 Pianos Phoebe Legere piano, female singing voice, coaxing piano w/ ice melting, French and English, slow ballad, oceans, memory flashback piano on the tongue of the world to give it a voice. This song is finding its way in soundtracks for Phoebe's collaborations like her new multi-award winning short "The Gender Symphony."    

 

Immigrant Blues  Dan Berggren  folk, banjo, male baritone, simple story song of how immigrants have struggled here and in coming to our country, and those before us are immigrants.  Here's a live performance of Dan's song. Dan was awarded a Lifetime Achievement honor from the Albany NY-region's Eddie Music Awards.

Get My Thing Going  Art Edwards  famous for The Refreshments. This is from a 2024 album, "The Brightness of an Ordinary Star." forward motion,grunge vocals & band with British invasion rhythm, male vocals  "When I finally get my thing going, you're see the best in me." alludes to other worldly torments like the world ending. The Brightness of an Ordinary Star | Art Edwards

Count My Blessings   Elliott Murphy  acoustic guitar, harmonica, narrative voice kindred to Tom Waits.  a bluesy "comfort solution" for a guy that needs reality check for a breakup or his own life, using cowboy imagery and urban issues, "this town's a widow maker" "get out of dodge"


I Am Like a Mountain  Micaela Kingslight   Soft and meditational-inspired rock-pop, vocal percussion and finger-snaps, celestial, female vocals (harmonies)  "I am like a mountain breathing in, breathing in.... I know."  "water, ocean, strong."   


Just Enough   Rachael Sage  mid-tempo Hammond B3 and soulful instruments, gentle female vocal, fresh song about feeling love, every time you touch me, I feel love.  "It feels my cup, just enough shalalala"