“A Rose for Your Stone” by The Kings

The Kings’ “The Longest Story Ever Told” continues to build.  After months on regional radio stations and finding support even internationally, the group’s song “A Rose for Your Stone” is finding support on AAA/Americana radio. The music video features Western imagery and lead singer David Diamond performing solo on acoustic guitar. The idea behind the song is about a gunfighter returning home after hearing his former girlfriend has died.  He left her because he wanted to seek fame with his gun, but he never forgot her.  He’s chosen to not regret the choice he made, despite the tragedy.  All he can give her is a rose to put on her headstone.  

 

Mixed by Michael Vail Blum, who has worked with Madonna and Prince the western inspired song has found support on podcasts, blogs, and magazines. Michael's Record Collection is intrigued by the song, “It pays tribute to old country story-songs, such as ‘El Paso’ by Marty Robbins." Americana Highways raves about the song’s musicality, including its Spanish-flavored horns, and more, David Diamond’s voice is still as powerful as when he sang ‘This Beat Goes On/Switchin’ To Glide’ on their first album.” Rave and Roll hears its cinematic quality, "How about some spaghetti western atmospherics? A Rose For Your Stone produces that vibe, underscored by an accordion and playful mariachi horns."

The Kings, originally formed in Vancouver, British Columbia, and Oakville, Ontario, are a Canadian rock band. The original lineup was David Diamond (lead vocals, bass, songwriter), Sonny Keyes (vocals, keyboards, songwriter), Max Styles (currently Todd Reynolds) (drums), and Mister Zero (guitar, songwriter).

Before their breakthrough, they spent over three years as WhistleKing, refining their skills through rehearsals, club gigs, and songwriting, always with recording as the goal. Their journey led them to Nimbus 9 Studio in Toronto, where renowned producer Bob Ezrin (Pink Floyd, Alice Cooper, KISS) joined the story.

Ezrin's involvement led to a worldwide major label deal with Elektra Records in Los Angeles. Their debut project, "The Kings Are Here," featured the smash hit 'This Beat Goes On/Switchin' To Glide,' which received extensive major market airplay all over the USA and Canada, spending 23 weeks in the Billboard Hot 100, earning them a Canadian Juno Award nomination, Platinum album and Gold single status and induction into the Canadian Songwriters Hall of Fame.

The Kings continued their musical journey with the albums "Amazon Beach," "RSVP," "Unstoppable," "Party Live in '85", "The Lost Tapes of a Seventies Bar Band" and "Because of You," all of which showcase their energy and songwriting prowess. They also released a captivating documentary titled "Anatomy of a One-Hit Wonder”, as well as the incredible concert film "Live at Heatwave".

Now, in 2024, "The Longest Story Ever Told," reaffirms the Kings’ status as a rock band with songwriting depth. With a history of hits, over 2000 North American shows and a devoted fan base, The Kings remain a hungry band with something to prove.

The Kings Still Reign: Canadian Rock Legends Defy 'One-Hit Wonder' Label as “Nowhere to Go But Gone” Climbs U.S. Charts

Forty-four years ago, they declared The Kings Are Here. Now Canada’s cherished rock legends are specifying exactly where “here” is: on the charts and rising.

This week, The Kings’ ridiculously compelling “Nowhere to Go But Gone” climbs to #42 on the Mediabase CHR Activator list—a nigh-on-miraculous showing for a Canadian classic-rock band on US radio. It’s a designation that shows the tune continues to spread like wildfire, receiving airplay in markets from Utah to Florida to Cape Cod. If this keeps up, the group might have to issue an official clarification that the title of their documentary, Anatomy of a One-Hit Wonder, was meant with tongue planted firmly in cheek.

Because really, The Kings never went away. Yes, they’re still best known for their breakout double A-sided single, “This Beat Goes On/Switchin’ to Glide,” which peaked at #43 on the Billboard Hot 100 in 1980 and ultimately spent 23 weeks on that chart—not to mention earning the band a gold single award, a Juno nomination and induction into the Canadian Songwriters Hall of Fame. The success of the insanely catchy numbers also eventually drove their debut album, the aforementioned The Kings Are Here, to platinum-level sales in Canada. But in the ensuing decades, they’ve put out an absolute wealth of stellar material, on albums like Amazon Beach, RSVP, Unstoppable, Party Live in ’85, The Lost Tapes of a Seventies Bar Band and Because of You. Unstoppable alone yielded a cornucopia of Canadian hits, including the title track, “Lesson To Learn," "Shoulda Been Me," "Parting Of The Ways," and the killer ballad "If We Don't Belong Together."

“Nowhere to Go But Gone” proves that their mettle as hitmakers remains undiminished. It’s an appropriately driving little ditty in which lead singer/bassist David Diamond namechecks all the places he’s about to hit on a much-needed jaunt behind the wheel:

Gonna head out on the highway 

The highway is my friend 

Gonna head out west  

Where the highway ends

Then I’ll stop in Vancouver 

Turn south towards LA

Twelve hundred miles of surfers 

Waiting for a wave  

There is no trip like a road trip

Nowhere to go, nowhere to go

Nowhere to go but gone

But what gradually comes into focus is that he’s actually singing about taking a breather from a relationship, to get a better perspective on why it’s one worth keeping. This is a song not of freedom and the endless open road, but of renewal and the journey home.

Oh, but when I return 

The bridges I burned 

Have been reassembled

Good to take a breather

Good to get some air

Good to be reminded 

Of what it’s like out there

As recorded, the entire performance is a tour de force of moxie by Diamond, guitarist/co-composer Mister Zero, keyboardist Sonny Keyes (all three of them cofounders of the group) and drummer Todd Reynolds (who’s been firmly entrenched in the lineup since 2007). The track was co-produced by the band and recording engineer Chris Snow (a veteran of sessions with the likes of Barenaked Ladies, Big Wreck and Arkells) and mixed by Garth Richardson (who has produced Rage Against the Machine and engineered records by the Red Hot Chili Peppers, Nickelback and numerous other heavy hitters).

The song comes from The Kings’ most recent album, 2023’s The Longest Story Ever Told, which kept the faith with the group’s hardcore following while earning widespread critical acclaim. “Call it a comeback if you will, but regardless, it’s clear The Kings still rule,” raved American Songwriter.

With more than 2,000 live shows under their belt, these boys are perpetually in demand as a concert act throughout the Western hemisphere. The latest jewel in their crown was an August gig at the Kitchener Blues Festival Canada, and come November 8, they’ll be “gettin’ gone” all the way down to Planet Hollywood Cancun for the five-day The Sands festival, where they’ll appear alongside fellow ’80s survivors Rick Springfield, Bret Michaels, The Fixx, Level 42, Lou Gramm and Ace Frehley.

And believe it or not, they’re even bigger virtually: The official video for “This Beat Goes On/Switchin’ to Glide” has surpassed 6 million views on YouTube. In a further test of the hit’s enduring appeal, Chicago DJ Bob Stroud included it in his audience poll of the greatest one-two punches in music history—songs no listener or programmer would ever dare separate. The Kings landed at #1 on that list, above ubiquitous musical conjoined twins like “Living Loving Maid/Heartbreaker” by Led Zeppelin and even “We Will Rock You/We Are the Champions by Queen.

Now, with “Nowhere to Go But Gone,” The Kings are back to prove there’s plenty more gas in their tank. More than four decades later, we’re all still “holding hands as David Diamond sings” (as they once sang on their haunting “Love Store”). To say this beat goes on is an understatement: Once the world switches to glide, apparently, it just never switches back.

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