Showing posts with label Vonda Shepard. Show all posts
Showing posts with label Vonda Shepard. Show all posts

10/13/15

Vonda Shepard Plays New York City November 21

www.vondashepard.com

Schmooze with us after the work week.

Vonda Shepard will be performing at (le) Poisson Rouge on November 21 at 7:45 pm.
(Opening act—to be announced) is on at 7 pm.
(le) Poisson Rouge is at 158 Bleecker St., in New York City, near the A, D, F train lines.
Tickets are $30 in advance and $35 at the door.
The venue phone is 212-505-FISH.
The website is lepoissonrouge.com/ lepoissonrouge.com/

This is an “after work schmooze” with Vonda Shepard. This intimate room with Vonda (and her band or solo) should bring some wonderful memories.

ROOKIE, Vonda’s 14th album, is a title that bears no little irony, since last year marked 25 years since the release of her self-titled Warner Bros. debut and her hit “Don’t Cry Ilene” from 1989. Being of independent ways and means now, Shepard doesn’t necessarily have to raise a fortune to make a record that’ll sound like a million bucks, thanks to the ongoing participation of producer/maestro Mitchell Froom (Elvis Costello, Crowded House, Bonnie Raitt, Paul McCartney), who’s been behind the boards for all of her albums since 1999’s BY 7:30.

ROOKIE promises a mixture of moods and tempos, with perhaps slightly more emphasis on the upbeat than some past efforts. Vonda says. “I felt a need to go a little bit crazy on this album.” The album features classic Vonda Shepard, whose pop-singer songwriter style weaves soulful and heartfelt pop ballads, with influences from gospel, country and jazz.

Vonda belts the mighty song “Rookie,” which is about not being a rookie. “It’s actually the opposite of what the title suggests,” she says. “It’s about a person who’s been around the block, around all the blocks! The chorus says ‘I’m not a rookie,’ and it really conveys this feeling that I’m a ‘bad-ass’ who’s going to throw it down.” “Need Your Love,” and the empowering “Walk On Water” are some of ROOKIE’S soulful highlights.

Her styling of ballads including “Saturday,” and “I just Don’t Get It” (with its surprising twist on love and shyness) is passionate. Vonda’s relationship songs also include ROOKIE’S “Train To Inverness” and “Long For The Days,” which offer both depth of dialog with ear-catching melodies.

ROOKIE ends with two live tracks of recent songs that have become show stoppers in Vonda’s sets, the funky “Downtown Dirtytown,” and the tender-hearted pop ballad, “Roll In The Dirt.”

Vonda is charging into an active touring season in the States and Europe after enjoying her belated debut as a musical stage actress, portraying sassy tart Martha in Randy Newman’s FAUST at New York’s City Center this past summer. Ms. Shepard earned such grand reviews from New York’s tough theater critics, you could almost believe she’d paid off the devil! Said Playbill: “Indie-pop singer/songwriter Shepard was the find of the evening, at least for audiences unfamiliar with her five years of acting and singing on Ally McBeal.” The Theatermania.com critic called the Newman/Shepard duet of “Feels Like Home” “one of the year’s great stage moments to date.” New York Times theater critic Christopher Isherwood weighed in with a rave, too, calling her duet with the Rock & Roll Hall of Famer on “Feels Like Home” “the song that received the warmest reception” and adding: “Ms. Shepard’s soulful singing brought out the yearning quality in Mr. Newman’s own.”

With over 12 million album sales to her name, two Golden Globes, two Emmy Awards, two Screen Actor's Guild Awards as well as the Billboard prize for selling the most television soundtrack records in history for the hit TV series “Ally McBeal,” Vonda is a world-renowned artist who continues to delight audiences with her magnanimous live performances. She dedicates songs, tells stories, and-at the same time-projects dynamic charisma and intimacy with her audience.

Over the past few years Vonda has opened for Sugarland, who once opened for her, and she has performed live with the Indigo Girls and The Funk Brothers (a highlight of her life), and has shared the stage at music festivals with Sting, The Eurythmics, Santana, and Matchbox 20. She is also known for "Can't We Try," her duet with Dan Hill, which hit number 6 in 1987. She played keyboards and sang with Rickie Lee Jones, Al Jarreau, and Jackson Browne, eventually opening for Browne in the U.S. and Asia. Fans all over the world have been listening to Vonda for years, and there's a reason why Vonda Shepard live is getting the attention of fans everywhere.

Vonda Shepard's "Need Your Love"

####

12/3/11

Vonda Shepard

My Vonda story started with seeing her at BB King Blues Club in New York City, and she changed my life, awakened something deep within me. In concert she was singing songs that related to some of my relationship issues and also hit home with all the nostalgia that springs up when dear friends (including pets) die. She was magnanimous on stage--talking with her audience, celebrating people's relationships, and singing her heart out with a natural and powerful voice. She has her own sound that--to me--seems to combine soul and country and pop and jazz in her music. Very earthy presence, and a raw and straight forward alto voice. After the show, I saw how she listened to her fans and took time to get to know them. I had to ask her, "Are you a student of people?"

I realized why David E. Kelley cast her as the bar singer on the TV series, Ally McBeal--she's a person who really listens to others.

VONDA SHEPARD BIO
Vonda and her piano. That's SOLO, the new album which features many of Vonda’s originals ("Lose My Way," "Don’t Cry Ilene," "The Sunset Marquis," "Soothe Me," "I Know Better," ) as well as some favorite cover ballads ("Walk Away Renee" and "You Belong To Me").
 
SOLO provides the perfect opportunity to get to know Vonda's earthy and accessible style and her intimate interaction with her audience. During the coming year, most of Vonda's shows will feature just her heart, voice and piano. This includes more openers with Sugarland, with whom she’s worked since 2010. The clarity of her voice and the grace of Vonda at her piano on SOLO shows the beauty and richness of Vonda’s music. Says RED at Redhotvelvet.co.uk: “It’d be hard to argue that the Californian is a bad performer. She’s incredible… Shepard gracefully pounds the grand piano and manages to ooze a presence which seeps into the spellbound audience… it’s thoroughly refreshing to see such inherent talent performed naturally with such sunny disposition… Delectable.”

With over 12 million album sales to her name, two Golden Globes, two Emmy Awards, two Screen Actor’s Guild Awards as well as the Billboard prize for selling the most television soundtrack records in history for the hit TV series “Ally McBeal,” Vonda is a world-renowned artist who continues to delight audiences with her magnanimous live performances.  She dedicates songs, tells stories, and—at the same time—projects dynamic charisma and intimacy with her audience.
 
Just as Vonda's songs reflect an independent woman with profound and self-reflective insights on relationships, her approach to running her career in today's ever-changing music scene is based on that same strength and sense of purpose. She is a consummate artist and businesswoman with her own label, Hotele´ Records.  "I love the idea of making and releasing my own records exactly the way I envision them, then going on the road, getting the music out there and having a blast doing it all.  I have a tremendous amount of energy for music and life.”

Born in New York City, Vonda's family moved to Los Angeles when she was a child, and by age 14, she was performing original material at small L.A. clubs. She played keyboards and sang with Rickie Lee Jones, Al Jarreau, and Jackson Browne, eventually opening for Browne in the U.S. and Asia. She has also performed with the Indigo Girls and The Funk Bros. (a highlight of her life), and she has shared the stage at music festivals with Sting, The Eurythmics, Santana, and Matchbox 20.  

"Can't We Try," her duet with Dan Hill, hit number 6 in 1987. In that same year, Vonda secured her first solo deal with Reprise Records and two years later her eponymous album was released. The Top 10 AC Radio and VH1 hit single “Don't Cry Ilene” brought her outstanding and unmistakably bluesy voice to a wide audience and caught the attention of the critics.  In 1992, her follow-up album, THE RADICAL LIGHT was released.

Vonda has always taken a unique approach to her career, attracting everyone from established music artists to television producers to rally behind her. In 1995, no longer with Reprise, Vonda borrowed money (and Jackson Browne's studio) to make her third recording, IT'S GOOD, EVE, and released it independently.  It was this album that caught David E. Kelley's ear right at the moment he was searching for a voice for his new TV show “Ally McBeal.”  Throughout the show’s five year run, Vonda performed on each episode and produced the show's music, recording almost 500 songs featuring artists including Gladys Knight, Sting, Barry Manilow, Al Green, Chubby Checker and Jon Bon Jovi.

Along with her six Ally McBeal Soundtracks, Vonda also recorded BY 7:30, produced by Mitchell Froom (Crowded House, Elvis Costello, Randy Newman). The two went on to make 2002’s CHINEATOWN, FROM THE SUN (2008), and now SOLO.

Most recently, in addition to opening for Sugarland's summer 2010 and 2011 tours, Vonda has been performing at her own international and domestic concerts, plus numerous private and fund-raising events. Vonda has also been in the studio recording her next album.
 
http://www.vondashepard.com
http://www.facebook.com/vondashepard

8/21/11

Jann Klose in the Studio

The WGN-TV Superstation Video of Jann
 

Jann Klose has been receiving even more acclaim for his work. Genya Ravan, who recently featured Jann's "Waiting For the Wave" on her Sirius XM show "Goldie's Garage" on Little Steven's Underground Garage channel says, "Gee, if I had a label I would sign Jann immediately, this is a hit song.  I am going to play it, even though its not garage, too damn beautiful to pass on."

Jann is on Spotify, and an eligible artist for the 2011 New York Music Awards, listed between Carole King and Lady Gaga.

Video-wise, he's got a dynamic :56 second performance of "Hold Me Down" on WGN-Superstation's Midday Lounge at http://www.wgntv.com/videobeta/1e57ca92-c82d-41eb-9f08-9d2729e52d63/News/Music-Lounge-Jann-Klose

Tim Fort, The Kinetic King (a semi-finalist on America's Got Talent), gave Jann's "Doing Time" his trademark praise, "whoo, hoo!"  "That's great!" at http://www.youtube.com/jannklose .

Jann's working on a new album, which will be a follow-up to REVERIE, due out in 2012.

Meantime, these shows are confirmed:

September 10: STEPHEN TALKHOUSE w/ Jonathan Tiersten, Amagansett, NY
September 11: COFFEE-WORKS w/ Jonathan Tiersten, Voorhees, NJ
September 15: BB KING BLUES CLUB w/ Vonda Shepard, New York, NY
September 27: COACHHOUSE w/ Basia, San Juan Capistrano. CA
October 5: HUGHS ROOM w/ Jim McCarty, Toronto, Canada
October 26: IRON HORSE w/ Shawn Phillips, Northampton, MA
October 28: TOWN BALLROOM w/ Brett Dennen, Buffalo, NY
November 9: S.P.A.C.E. w/ Michael Kaeshammer, Evanston, IL (Chicago)
November 26: HIGHLINE BALLROOM, 40TH ANNIVERSARY, CONCERT FOR BANGLADESH, New York, NY
March 2, 2012: MASTER CLASS, LIVERPOOL INSTITUTE FOR THE PERFORMING ARTS, Liverpool, UK
       
http://www.jannklose.com