Five Days Of Christmas by Elliott Murphy, one of this year’s holiday songs I’m working. If you are looking to cover or sync holiday music for Christmas, Kwanzaa, New Years, Hanukkah, send me an email at LeightonMedia@aol.com and Anne@AnneLeighton.com #performers, #ChristmasMusic #musicmanager, #PostProduction #SyncLicensing #Superhero #songwriters #SuperheroSongwriters
Every Little Light, The Slambovian
Circus of DreamsFor covers and radio only as this song lifts “Do You
Hear What I Hear?” male vocal, Christmas
folk-rock, with bells and electric guitar, open hearts, "wish the whole
world were friends" celebration of lights on Christmas night, the
importance of individuals, thinking like a child, peace, love for the whole
world.
Robeone Christmas (instrumental)
Robeonetriumphant Christmas instrumental,
all keyboards Used: Korg Karma. Mellotron 4000D, Roli Seaboard, Expressive E
Osmose, Yamaha S80, Technics KN7000, Moog Sub 37, Kurtzweil K2000, ASM
Hydrasynth
Santa’s My Mum Tony Moore thoughtful anthem ballad w/ bells, male vocal, this
song pays tribute to his mom, keeping alive her tradition of perfect childhood
Christmases, and he snuck down the stairs early in the morning and she was
there, keeping him quiet.
New Year Izzy
Meth tenor young voice, Kind of Mumford meets Lumineers meets Bob Dylan melody,
about New Years, hopeful lyrics that could be about untapped potential or
sticking to resolutions even though we know we should, seeking goodness in the
new year, mentions "g-d"
Just Another Birthday
Song Dean Friedman music hall meets
pop, tenor, witty, fun jabs at the birthday boy, "give thanks that your
dad wasn't shooting blanks." "thank your mom for pushing you
out." Mentions “isolation” from the Pandemic era
Glory to the Newborn KingErin Hannon / Stephen Melillo
classical music with a full lyric soprano that rolls her rrrrs, and "Sleep
In Heavenly Peace"
Five Days of Christmas Elliott MurphyThe
story of Linear coming off his meds and coming to visit an easy-to-anger
brother over the holidays. Bad boys, gangster, visual lyrical storytelling.
Bronx
Historical Society is presenting "The Kindness Session," a poetry
workshop on recognizing the difference between kindness and cruelty to channel
that in our writing on April 1 at 6 PM till approximately 7:45. The Poetry
Workshop takes place at Poe Cottage, 2640 Grand Concourse, in the Bronx.
Subways near the Visitors Center are the 4, B, and D train at the
Kingsbridge stop. Buses to the Center are Bx9, Bx22, Bx28, Bx38, and
BxM4 (Express bus). The Poe Visitors Center is up the Hill from
the Fordham Metro North train stop.
Led by
area poet Anne Leighton, the Kindness Session will include sharing works
from classic and contemporary including Edgar Allen Poe, Naomi Shihab
Nye, Muhammad Ali, as well as selected poems from attendees.
Once the
attendees discuss poems, they’ll be encouraged to think of incidents where they
recognize kindness from life experiences, friends and acquaintances, and
how it affected their lives. From there, writers will be encouraged to create a
first draft of poetry. Writers will read their poems, and be encouraged to
revise a first draft by the first week of May.
Anne Leighton appears
on the Grammy-nominated album, “Healthy Food for Thought: Good Enough to Eat,”
(Audio & Video Labs) reading her poem “Feed Your Parents Well.” She’s
contributed to The Indie Collaborative, The Literary Parrot, Elephant Journal.
Her poetry book “The Leighton Explosion” made enough of a profit to use
her earnings to record an original song, “Got My Eye on You, Santa,” which
found her a publishing deal with Sheer Music South Africa/Downtown Music, USA.
Anne's performed in the Bronx at ART in the Basin, Johnny Zs, and throughout
New York State include NYC's Nuyorican Poets Cafe and Peter Max's Studio.
Gary Lucas co-wrote “One Man’s Meat” with David Johansen, who sang it for Gary’s Gods and Monsters’
2006 release, “Coming Clean,” and it reappeared on 2022’s “The
Essential Gods and Monsters.” Rob
Tannenbaum included the song in this past Saturday’s New York Times Playlist at
https://bit.ly/41ECGhm
Rob cites David’s
“Buddhist-adjacent philosophy through a series of riddles and paradoxes
delivered at breakneck speed over Gary Lucas’s careening guitar.” It's uptempo, frenetic, lucid song with a double
entendre and waffles on the fine line of flow versus fear.