Showing posts with label Deezer. Show all posts
Showing posts with label Deezer. Show all posts

10/8/22

Elliott Murphy New Album: “Wonder” Autumn 2022


“Wonder
” - the newest album by internationally acclaimed American rock singer-songwriter (and long-time Paris resident) Elliott Murphy – is available now on all streaming platforms (Spotify, Deezer etc.) as well as a limited edition of CDs. “Wonder” marks Elliott’s first studio album of all new original songs since “Prodigal Son” (2017) and contains a truly inspired collection of 12 musically eclectic songs accompanied by that endangered breed of stylish lyrics (urban, poetic, personal, literary …) that have been associated with Murphy’s work for nearly 50 years.

Wonder” was primarily written during the forced period of introspection brought on by the COVID confinement. It was produced by Elliott’s son Gaspard Murphy (a successful producer in the French music world in his own right) in Paris at Question de Son and Murmure Studios. The album features Elliott’s long time guitar virtuoso musical partner Olivier Durand as well as Australian Melissa Cox (violin) and Alan Fatras (drums) along with an impressive list of guest musicians and singers.

Elliott, himself, takes stock of where “Wonder” fits into his nearly half century career: “If my early albums can be described as expressions of youthful energy, hope and dreams, I would have to say that as I enter this later chapter of my career, as evidenced in the songs on ‘Wonder,’ my words now tend to incorporate buried memories that rise to the surface of my consciousness like once sunken ships, crewed by musical references that even surprise me: Little Richard, Robert Johnson, Tina Turner – even the iconic American TV talk show host Johnny Carson. All these ghosts (and more) make appearances on ‘Wonder’ as well as assorted pop cultural references that baffle me such as ‘My Own Private Idaho,’ which, of course, was a B52s’ hit in the 1980s. But since a troubadour’s job is to spread the news, you can even hear a mention of Better Call Saul a favorite TV series of mine. Musically, you might say that these days my inspiration is all over the map; although I’m still faithful to those folk-rock sounds and chord progressions which shaped me at the time of my first album ‘Aquashow’ (1973). I also think there’s an undeniable bit of French chanson and even Steely Dan type jazz-rock on ‘Wonder.’ Rhythmically, I decided early on that I wanted a strong percussion element and thus you’ll hear congas, maracas and a host of other percussion instruments grounding the songs and giving cool flight to the lyrics. And with all the Motown I listen to, it’s not surprising that ‘Something Consequential’ might recall an almost Marvin Gaye-like romanticism of which he was truly the master and I am, at best, his earnest student.”

As most of these songs were born during the dark opening days of the COVID pandemic when confinement became an enforced reality we had never before experienced, loneliness naturally is a pervasive sub-theme of “Wonder,” reflected in various manifestations not only in the titles of songs such as “Lonely” and “The Lonely King.” Elliott uses “Loneliness as a kind of existential meteorologic metaphor in “Raindrops” and “Hailstones,” referencing when the Corona virus seemed as unstoppable as a hurricane.

Despite the life challenges, Elliott’s approach to writing is still optimistic, “But inevitably there is hope to be found in our fragile yet resilient human condition not only in ‘Hope (In Your Eyes)’ but also in the afore-mentioned ‘Something Consequential’ where romance springs eternal. ‘Sunlight Keeps Falling’ may be the only fully pre pandemic song on the album as it was written as the theme song for an as-yet unmade film about a beautiful girl who jumps from the Eiffel Tower right into the arms of a guitar maker.

“So, as I sing in “A Lack of Perspective” (perhaps my own favorite off “Wonder”), I’m going back in time to find what I’m looking for… Thanks so much for accompanying me on this musical journey!”

 

ELLIOTT MURPHY - WONDER

(MURPHYLAND ML0011CD)

1. Hope (In Your Eyes) (Murphy)

2. Sunlight Keeps Falling On Me (Murphy / Durand)

3. Bystanders (Murphy / Durand)

4. That's The Scene (Murphy)

5. Children of Children (Murphy)

6. Raindrops (Murphy / Murphy)

7. Something Consequential (Murphy / Durand)

8. Lack of Perspective (Murphy)

9. Lonely (Murphy / Durand)

10. Hailstones (Murphy)

11. Lonely King (Murphy)

12. I Know There's A Place (Murphy)

 


9/10/19

"Iguana," the new album by Joe Olnick


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Avant fusionist available for all media
Joe Olnick’s new avant-fusion album, IGUANA is out, and available on every major streaming/download platform online in the world: Spotify, Apple Music, iTunes, Tidal, Deezer, Amazon, Google, CD Baby. Look for the album on Bandcamp, plus CDs through CDBaby. Here's the SmartUrl: http://smarturl.it/4a8362   
The media is giving a thumbs up to IGUANA, which is Joe’s 7th album.  

Jeff Collins, host of Hard Rock Hell’s radio show, The Rock Jukebox” calls IGUANA “one of the best of the year!  a magnificent album!” KOCF Eugene, Oregon’s Andy Goldfinger says Joe’s album has “that feel of cool. It crosses the boundaries of genre and lets the listener just feel the music." Vents Magazine’s Steve Kinrade offers an eclectic comparison in his review of the album, mentioning its range from musical styles from Yes, Ian Dury, James Brown to an obscure British singer-songwriter named Peter Greenwood. He writes that the album is “worth a thorough investigation.”

Olnick, and bandmates—bassist Jamie Aston and drummer Stew Bradley are performing live, "Our live shows have become a really cool multimedia experience, with custom videos being projected during most of the show. And our concerts have always expanded on themes from the recordings, using exciting improvisational techniques that come from playing for many years. Every concert is unique, and a lot of fun.”   

Along with the album release, the group's second track is “Don’s Theme,” an introspective instrumental based on the Iguana (from the album cover) walking into the room in a slow and thoughtful way.  

Designed by artist Ron Good (of the horror series, God-Awful Comics), the album art tells the story of a misunderstood iguana named Don, who struggles to find his own hot rock to rest on. Joe says there are parallels of the animal’s life and his career, as it’s a struggle to find support for creating original, instrumental music!     

Joe calls his music “avant-jam” and fusion like Medeski, Martin & Wood and New Mastersounds. In addition to guitar, Joe plays sax and bass, plus works as a recording engineer. In 2012, he released his first CD, and continued self-producing with albums from ambient to jazz/rock genres.