Meet Singer-Songwriter Doctor Fish

Former College Professor/Sideman Debut Album “The Last Troubadour”

“When I was younger, I had it figured out. I clearly understood what life was all about. But life, of course, knew better and had its way with me. You know that I’m still standing, just not where I thought I’d be.” So sings Doctor Fish in “Tuesday Morning,” from his debut with Renaissance Records, The Last Troubadour.

Doctor Fish’s songs reveal a proud musical throwback—a guitar-wielding, storytelling, folk-rock singer-songwriter. No fake retro act: he is one of the last surviving purveyors of that style from the era of its originators, Jim Croce, Harry Chapin, James Taylor, and Cat Stevens.

Vents Magazine heralds The Last Troubadour as “One of the best albums we’ve heard in ages.” “Rock History Music” Vlogger John Beaudin thanks Doctor Fish “for making me stare at the speaker for the first time in years. We need more music that makes us stop in our tracks. Top shelf.”

Produced by multi-platinum veteran David Kershenbaum, the album features bassist Leland Sklar (James Taylor, Jackson Browne, and Carole King) and drummer Denny Fongheiser (Heart, Counting Crows, and Shawn Colvin), along with other top studio musicians from around the world.

Doctor Fish’s music reveals a particular affinity to that of Harry Chapin. The late singer-songwriter inspired one of his most popular songs, “Harry Chapin (Every Monday Night)." Harry’s son Jason has called it “a great tribute to my father,” and Fish has given several interviews with Jen Chapin about her father’s legacy.

Doctor Fish pens story songs in a folk-rock style like the late activist songwriters, but his syncopated melodies and rich chord progressions also reveal his background as a jazz musician.

He grew up playing saxophone and backed legends, including Ella Fitzgerald and Frank Sinatra. “But I wound up taking a sharp left turn,” he laughs. “I picked up a guitar and began writing and singing songs.” He continued songwriting and earned his Ph.D. in ethnomusicology from the University of Michigan. He went to Japan to conduct doctoral fieldwork for three years by studying with the 4th generation master of Shinto music and returned to live in the country, working as a translator and editor.

Fish’s journey brought him to North Carolina, where he built a music education program for popular music studies at Catawba College. He helped students advance to successful careers in many parts of the music industry, from performance to major talent agencies. Now living in Durham, NC, he is pursuing his own interrupted goals as a performer.

Renaissance Records US, the label that's released his newest album, "The Last Troubadour," is extremely enthusiastic about the collaboration. John Edwards, President of Renaissance Records US, stated, "We are proud to welcome Doctor Fish to our roster of exceptional artists. Doctor Fish's musical talent and unique perspective make him an extraordinary addition to the label. We look forward to supporting his artistic journey and sharing his music with the world."

“Arizona Skies” and the other songs from Doctor Fish’s Renaissance Records debut, The Last Troubadour, are available on Spotify, Apple Music, YouTube, and his website, https://doctor.fish as well as Doctor Fish - The Last Troubadour CD – RenaissanceRecordsUS.

 

"Iguana," the new album by Joe Olnick

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Avant fusionist available for all media
Joe Olnick’s new avant-fusion album, IGUANA is out, and available on every major streaming/download platform online in the world: Spotify, Apple Music, iTunes, Tidal, Deezer, Amazon, Google, CD Baby. Look for the album on Bandcamp, plus CDs through CDBaby. Here's the SmartUrl: http://smarturl.it/4a8362   
The media is giving a thumbs up to IGUANA, which is Joe’s 7^th album.  

Jeff Collins, host of Hard Rock Hell’s radio show, The Rock Jukebox” calls IGUANA “one of the best of the year!  a magnificent album!” KOCF Eugene, Oregon’s Andy Goldfinger says Joe’s album has “that feel of cool. It crosses the boundaries of genre and lets the listener just feel the music." Vents Magazine’s Steve Kinrade offers an eclectic comparison in his review of the album, mentioning its range from musical styles from Yes, Ian Dury, James Brown to an obscure British singer-songwriter named Peter Greenwood. He writes that the album is “worth a thorough investigation.”

Olnick, and bandmates—bassist Jamie Aston and drummer Stew Bradley are performing live, "Our live shows have become a really cool multimedia experience, with custom videos being projected during most of the show. And our concerts have always expanded on themes from the recordings, using exciting improvisational techniques that come from playing for many years. Every concert is unique, and a lot of fun.”   

Along with the album release, the group's second track is “Don’s Theme,” an introspective instrumental based on the Iguana (from the album cover) walking into the room in a slow and thoughtful way.  

Designed by artist Ron Good (of the horror series, God-Awful Comics), the album art tells the story of a misunderstood iguana named Don, who struggles to find his own hot rock to rest on. Joe says there are parallels of the animal’s life and his career, as it’s a struggle to find support for creating original, instrumental music!     

Joe calls his music “avant-jam” and fusion like Medeski, Martin & Wood and New Mastersounds. In addition to guitar, Joe plays sax and bass, plus works as a recording engineer. In 2012, he released his first CD, and continued self-producing with albums from ambient to jazz/rock genres.