Showing posts with label Keith Emerson. Show all posts
Showing posts with label Keith Emerson. Show all posts

4/13/23

Topical Music for Tenacity, Politicians, Mental Health, Peace


Just a story from America by Abigail Rose Clark leads our list of topical music spotlights.  This 
Midwestern country rock interpretation of Elliott Murphy's 1970's radio song makes sense in the 21st Century. Hard work and a race for a success. “Get up they put you down, And like a boxer You just spin around." Abigail has a voice that's a cross between Bebe Rexha & Rebecca Black.  


Hollow by Robeone

bobmoogfoundation.bandcamp.com/track/hollow Only electronic keyboards are used on this classical music sound meeting Keith Emerson keyboard stylings.  

Easy Money by Rebecca Loebe  


female vocals, acoustic folk with western musical & lyrical influences, the song is about confronting someone that conned a friend. easy money is the motivation.


Please Be There  Orleans  


Tenor male vocals, funky soft rock. Soulful strut piano and guitar. Lots of keyboards. For mental health—this is what everyone needs to be told—somebody to be there.  “Talk to me and I’ll talk to you.” “Take my hand, that’s what we’ll do.” Mutuality theme.   

 

One Day (A Child’s Prayer) Hannah & Dean Friedman 


Originally written for the 1991 Gulf War, the song is relevant now in the midst of one more, senseless, horrific war. Gentle strings and bells adorn a daughter and father duet.  She’s seeing children killed from missiles, The father sings that “One day there'll be no trace of war, disease, pollution.  If only presidents could see through children’s eyes, if only general could hear the babies’ cries.” Lots of comparisons and contrasts like kids fighting over toys with men fighting over land.   


The Truth I Know  Robbie Wyckoff  (Song by Karen Besbeck & Carmen Grillo)

http://soundcloud.com/karen-besbeck/all-that-glitters-aint-gold-2  male country rock, slow tempo, optimistic lyrics, "I've been carrying a heavy load, now it's time to let go to the truth I know, holding on to faith in the human race." 


I Think Politicians should be Put on Minimum Wage   Doozer McDooze  


 I think Politicians Should Be Put on Minimum Wage | Doozer McDooze (bandcamp.com)

Male english accent, music hall meets acoustic guitar meets "That's Alright, Mama" tempo, fighting for what's right--let the politicians make minimum wage. straight forward.  UK words "dosh" "council house"  


 

11/11/22

New Robeone Album “Dream Suite”

All Sales Go to the Bob Moog Foundation to Help Educate Children

 


Robeone, “the Patron Saint for the Bob Moog Foundation” is releasing a new album, “Dream Suite,” on Transglobal Records / Orchard/Sony.  He’s making it available only through the Moog Foundation’s website at bobmoogfoundation.myshopify.com/collections/music.  Note well that 100% of all the album’s sales will go to the Bob Moog Foundation.

“I wanted to pay tribute to my biggest musical influences--Keith Emerson, Jon Lord and Brian Auger and other creative masters,” says Robeone, whose real name is Robert Schindler.  

The album, “Dream Suite” defines Robeone’s style that grows from dynamic musical genres as wide-ranging a mix of progressive rock, new age, jazz fusion, and cinematic genres. “Hollow,” with its Keith Emerson soaring synth, was inspired by “great film scores.” “All That Razz” sounds like Gershwin fell in love with artsy electric string players, and was influenced by both Robert’s father (who loved jazz) and his favorite contemporary electric violinist Joe Deninzon.  The late Swedish Hammond organist/guitarist Bo Hansson inspired the flowing “Levels.” 

“M is for Moog” is Robert’s “tribute to Moog and all Bob Moog gave to the world. The composition is all Moog synthesizer,” Robeone says, and he cites the late Japanese synthesist Isao Tomita, a Moog devotee, for influence on the recording. Brian Auger and Keith Emerson influence the frisky “Jazzmorphis.”  The album ends with an epic musical journey, “Dream Suite,” with moving symphonic organ parts inspired by Deep Purple’s Jon Lord.  

In addition to the Moog, Robeone uses a range of only keyboards on the “Dream Suite” album-- Mellotron, Kurzweil, Yamaha, Roland, Korg, Ensonic Roli Seaboard, EMU, and the Ashun Sound Machine.    

Robeone/Robert has been recording since the early 1970s. He’s worked with notables Ronnie Spector and for Johnny Nash when “I Can See Clearly Now” was a hit.  He played with progressive rockers Mayson on Bearsville Records, pop rock acts The States on Chrysalis and Boardwalk Records. He’s in the progressive rock group ZOOM with Paul Landry on New Age Music Planet Records. Recently he recorded with two different Melodic Revolution Records’ artists Tony Romero’s Vortex and Joe Mac’s American Garage. He’s played live at a number of Festivals—most recently ProgStock and RosFest. Robert also worked on the award-winning soundtrack to "The Fiery Narrows - Following the Path of John Charles Fremont."

Located in Asheville, North Carolina, The Bob Moog Foundation is an independent 501 (c)(3) non-profit organization dedicated to preserving the legacy of Bob Moog by inspiring others through science, music, and innovation. The Foundation is providing much needed innovative and effective educational opportunities to children — youth who will become tomorrow’s generation of thinkers and problem solvers.

Dream Suite” Track listing:

Hollow

All That Razz

Levels

M is for Moog

Jazzmorphis

Dream Suite

 

Physical copies of “Dream Suite” are available at bobmoogfoundation.myshopify.com/products/robeone-dream-suite

Digital at bobmoogfoundation.bandcamp.com/